Following on from Artifacts & Uranium (2021) & Panscosmology (2022), ‘The Gateless Gate’ completes this trilogy of remote experimentation.

Two side long compositions, composed of Organs, Synths, Bass, Guitars, Drums, H-Delays and the Behringer Wasp.

Side A is laid back repetition, layered guitar ascending, tremolo organs and gated synths. That descends in to horror show choir and waster feedback guitars.

Flip side B starts a pastoral, Popol Vuh harmonic structure of accession. Viola drones balance assist the climb courtesy of Martin Ash.

Transitions in to a later period AshRa, bass lines and higher stereo delayed guitar freak-outs.